Haring’s art bridges the gap between high and low culture, and he was a pivotal figure in demonstrating how street art should also be counted as high art worthy of exhibition. With Richard Pryor, Gene Wilder, Joan Severance, Kevin Spacey. This artistic style was honed through his graffiti drawings on unused advertising spaces in New York subway stations. See No Evil, Hear No Evil: Directed by Arthur Hiller. Depicted as the brown Monkey Face with hands covering its ears. The proverbial depiction of the phrase see no evil, hear no evil, speak no evil consists of three monkeys, namely Mizaru (who sees no evil, as its eyes are covered), Kikazaru (who hears no evil, as its ears are covered), Iwazaru (who speaks no evil, as its mouth is covered).
Influenced by the street art and graffiti he observed, Haring developed a distinct pop-graffiti aesthetic. The hear no evil monkey, called Kikazaru (Japanese for hear not), one of the Three Wise Monkeys. Haring’s move to New York in 1978 had a significant impact on his visual style.
Hear no evil see no evil speak no evil series#
Haring’s Icons series features some of his most recognisable motifs, which can also be seen in the Pop Shop series.
Alongside the androgynous figures are crawling babies, winged people and barking dogs. All hear no evil see no evil speak no evil artwork ships within 48 hours and includes a 30-day money-back guarantee. Throughout his artistic career, Haring developed various figures that he called ‘icons’ which reappear throughout his prints. Shop for hear no evil see no evil speak no evil wall art from the worlds greatest living artists. Hear no evil, see no evil, speak no evil Hear No Evil See No Evil Speak No Evil folktales of Aarne-Thompson-Uther type 243A edited by D. The three figures are also representative of Haring’s use of symbolic figures. They are recognized famously around their gnome village for their gestures that represent the common proverb 'hear no evil, speak no evil, see no evil. The bold lines seen in See No Evil Hear No Evil Speak No Evil are typical of Haring’s work and seen in many of his other prints.
The lines also bring a sense of energy and movement to the print, making it an exciting visual object. The ‘energy lines’ emitted by the three figures are seen in Haring’s other works, such as the Growing series, and evoke the power of people working together, community and solidarity. The print is rendered in striking colours, and the figures are drawn using thick, bold lines, characteristic of Haring’s unique visual style.
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