Please leave as much information in the customer notes as possible to help us. We will try to match your colours and design as closely as possible, but please note different screens can show slightly different colours. If you have a design that can’t be made using this designer tool, please email us with your idea and as much detail as possible (with drawings, images, or screenshots) and we will work with you to create a design. Note on text: With some fonts, the belt builder will slightly offset the text low but we will centre the text on the final product. To see all our belt options check out our Custom Leather Weightlifting Belt Options page. If you're unsure what type of belt is right for you check out our article Training Belts: The Beginner’s Guide. Standard manufacturers warranty on the beltĬheck out the Custom Leather Belts 360 gallery or image gallery for inspiration. 12-month warranty on levers and buckles The measurement you choose will be in the middle of the belt holes so you will have around 4 inches of adjustment on either side of the measurement you choose. Please triple check you have the correct size. We apologise for any inconvenience.īuild your own custom leather weightlifting belt. Listening to the spiral opening recalls the wonder of turning a conch shell to one’s ear - an invitation to come closer, to experience its scale in relation to the body, and to be rewarded with a secret to share.Custom Leather Weightlifting Belt BuilderĬurrently, all custom belt orders are slightly delayed due to backlog. It becomes a tool-turned-instrument where the sound of the sea inhabits its solid mass. Cut through the anvil’s outwardly solid core, a violin f-hole transforms this familiar object into something more ambiguous. The anvil’s form was refined over three thousand years of hot hammered iron, patterns demanded by industry, and the movement of people: swords, shears, shoes. The sound-hole of an instrument shares the same anatomy of curvature as the nautilus shell, so that through the geometry of this void, the sound of the sea might live in an anvil’s solid core.” The evolution of the anvil has refined a geometry that exists in seamless harmony with its purpose, much like a musical instrument. The spiral of the nautilus shell, guided by the golden rule, has evolved in such perfect tune with its environment that the sound of the sea persists eternally within it. My hope is to develop a work that does not simply occupy the heavy end of the spectrum, but opens a territory between weight and sound, massive permanence, and the fugitive fragility of an imagined fluid core. It mirrors naval mooring bollards in material and construction, and even hints, formally, at a reddened upturned boot - still stuffed with leg. Maskull Lasserre states that his work “references the massive tapered hulls of floating ships. Acoustic Anvil: A Small Weight to Forge the Sea is the physical convergence of both real and imagined histories, relationships, and resonances that mark this seemingly silent site. The industrial history of False Creek was all but erased in preparation for Expo ’86, the 1986 World’s Fair, and the area was reimagined as a residential project that has now become a model for housing communities around the world. At one point it housed a police station where a human leg, still trapped in a boot, was displayed in the hope that someone would lay claim - now memorialized in the square’s name, although the leg’s origin was never discovered. Historically, Leg-In-Boot Square was a place of industry, forges, boat building and stevedores. Location: Leg-In-Boot Square in Vancouver Medium: Steel, sound components (solar panel, electronics), paint, soundĭimensions (H x W x D): 396 x 762 x 279 cm (13 x 25 x 9 feet) Title: Acoustic Anvil: A Small Weight to Forge the SeaĪrtist: Maskull Lasserre (b.
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